Piano Man: Earl Hines,
The Father of Modern Jazz Piano
Broadcast the week
of 12/1/2005

Earl Hines.
Earl Hines has been called the first modern jazz pianist.
Good luck brought Earl Hines and Louis Armstrong together in 1926 when they
met by accident at the local musician's union hall in Chicago. The two
soon-to-be jazz legends became great friends, and Hines worked briefly in
Louis Armstrong's Stompers. Their friendship resulted in a series of
spectacular recordings made in 1928, including the famous Hot Five and Hot
Seven sessions that produced "West End Blues," "Fireworks," and "Basin Street
Blues."
It was 1928 when everything fell into place for Hines. In addition to the
sessions with Armstrong, he recorded his first ten piano solos including
versions of "A Monday Date," "Blues in Thirds," and "57 Varieties."
And,
on the night of his 25th birthday on December 28, 1928, Earl Hines opened at
the glitzy Grand Terrace Ballroom in Chicago, leading his own ten-piece
orchestra. Coast-to-coast live radio broadcasts from the Grand Terrace soon
made Earl Hines a household name in America.
Earl Hines would continue to lead his own big bands for 20 years. He featured
future jazz stars such as singers Billy Eckstine and Sarah Vaughan, and bop
pioneers Dizzy Gillespie and Charlie Parker. This week on Riverwalk Jazz
we celebrate Hines' musical legacy with live performances by our special
guests Dick
Hyman and John Sheridan.
Broadway actor Vernel
Bagneris brings to life Hines' reminiscences as collected by jazz
writer Stanley Dance.
In 1964 Earl Hines staged a major comeback. Riverwalk’s Jim Cullum
recorded Hines for his Audiophile label in 1971. "We did it at the home of
legendary recording engineer Ewing P. Nunn in Milwaukee. Hines recorded solo
piano material for three LPs over the course of one and a half days. Of all
the tunes we recorded, only one had to be re-done; the rest were captured in
the first take."
Earl Hines died in 1983 in Oakland, CA.
Based on Riverwalk
Jazz script
©2003 by Margaret Moos Pick
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